Monday, August 22, 2011

Topic 211: Conceited People

Carol:
Dear Mr. Wordsworth
Right now I can only think of one conceited person in my circle of “friends. I don’t actually  know him personally, but I’ve had a close relationship with his sisters since I was a young girl. The brother of my very dear friends Charlotte, Anne, and Emily Bronte, was indeed a conceited man. Patrick Branwell Bronte, known to everyone as Branwell, was also a drug addict and an alcoholic whose final year of life was plagued by deep melancholia. What’s a little vanity compared to that.
 
Unfortunately, this vain self-image contributed to his lack of success as a writer almost as much as his lack of talent. Friend and biographer Francis H Grundy noted in his book Pictures of the Past that Branwell “took an unusual fancy to himself,” which is a pretty good way of describing conceited people. Perhaps Branwell got that fancy because he was somewhat of a big fish in the little pub pond of Haworth, invited often to the Black Bull Inn where his reading and writing penchants “sufficed to make him a wonder among the rustics and manufacturers of the West Riding” (source: Bayne 248). 
 
Undoubtedly, the pub crowd adulation  only added to an already inflated sense of his own artistic talents fed by an indulgent father, doting Aunt Branwell, and loving sisters. So in 1837, 19-year-old Branwell, out of “the conceit and vanity which at this age are of fatal augary” (Bayne 248) wrote to William Wordsworth seeking his advice and support,   including in the letter a comment  that there was not a writing poet then alive worth sixpence. Wordsworth never wrote back to Branwell, so we don’t really know how he might have reacted or even if he did more than quickly skim the poems included in the letter.  Branwell was probably taken aback that he did not even receive an acknowledgement from Wordsworth, and likely would have complained about it over a pint back at the Black Bull Inn. Not that he hadn’t already tried before and failed to get the public notice he so craved.
 
Two years earlier, Branwell had written several letters to the editors of Blackwood’s Magazine, a popular journal subscribed to by the family and always read with great enthusiasm by all of the Brontes. On December 7th 1835 he wrote to the Editors, admonishing them for failing to respond to several earlier letters. In offering himself as a writer for Blackwood’s he wrote:
 
All, sir, that I desire of you is—that you would in answer to this letter request a specimen or specimens of my writing, and I even wish that you would name the subject on which you would wish me to write. In letters previous to this I have perhaps spoken too openly respecting the extent of my powers ... I know that I am not one of the wretched writers of the day” (Orel 34).

Branwell Bronte was a better artist than a writer, but his efforts to make a living as a portrait painter also led to failure. Whatever combination of temperament, addiction and misplaced adulation contributed to his vain sense of self-importance, he died in pain, despair and dejection at the age of 31 within months of his sisters Anne and Emily. Sister Charlotte, as unassuming and humble as her brother was vain, lived long enough to see her own writing accepted by both the public and  literary critics.


Megan:
Just call me Branwell

I often joke that the only time I ever felt smart in college was when I tested out of the English 1 and placed into upper division writing classes my first semester. This turned out to work against me because despite what I managed to pull off in the placement test, I never really got the hang of close readings and literary analysis – the basics of which were taught in that English 1 class I got to skip.

But aside from that, once I realized I wasn’t a naturally gifted academic, I really only ever felt confident in my creative writing classes, which allowed a bit more freedom in style.  I was suddenly complimented on themes, rhythm, and voice. I’d never been able to detect those things in my literature classes, and was unaware I’d included them in my own writing. 

Then, the summer between my sophomore and junior year, I was invited to join a small writing group composed entirely of MFA students. This was a seriously flattering invitation, and for the first time I was in over my head. I got comments like “The words are pretty but the character is stuck – where is the development?” I remember that comment because it provoked an existential crisis –all my writing was thinly disguised memoir, and being the main character in all my stories, this meant that I too was stuck. That fall, I went to England to study abroad and that set me on a new path – and unstuck me. I returned for my senior year refreshed, confident, with new ideas for my writing.

My senior thesis, which was a portion of a novel, was returned to me with a single comment written on a post-it “Fix the grammatical errors and this is publishable.” In retrospect, I think my advisor may not have read it, but at the time I was elated. That might have been the time to go for an MFA, when my confidence was so high, but I went to library school instead – sure that librarianship would only be a day job while I pursued my actual dream of being an extremely famous and successful writer.

Yeah…

I mention all of this because the Fall semester starts today, and I am taking two creative writing classes (and Zumba!). And I’m finding myself as nervous today as I was when I first started college 11 years ago. Added to the usual fears of “what if nobody likes me?”, I now have “what if I’m the oldest person in the class?” Since I’m attending the community college, I probably won’t be the oldest, but so what if I am. I just want to get back into the swing of things, workshop my stories, develop some writing samples and put together a decent application for grad school.

Watch, now I’m going to be offered a job.

No comments:

Post a Comment